You are so right. Unfortunately, most voice teachers are still training their students to look and sound like classical singers, using techniques that have nothing to do with developing a contemporary sound.  That's why students who don't enjoy older styles of music often find voice lessons frustrating and fruitless.  Brett Manning will never stifle your unique sound and style.  In fact, the Singing Success Program provides tools and techniques that will allow you to sing with more style.  Besides, who wants to listen to someone who sounds like every other "proper" singer?

Can I improve my tone quality?
Tone quality improves when the correct musculature is engaged in the singing process. Feel underneath your chin with your forefinger and slide it inwards to the point where your neck meets the muscles under your chin.  Now swallow.  Notice how your larynx (Adam's apple) raises up and the muscles under your chin tighten up as you swallow?  These muscles that are engaged in the swallowing process are opposed to those engaged in the singing process.  The use of these muscles while singing creates a myriad of problems that can take years to correct if left unchecked.  For good tone quality, you must learn to sing without the outer muscles of the larynx.  Doing so will set free your natural voice, drastically improving tone quality and ease of use.  Naturally, the Singing Success Program contains techniques that will help you do this.

Is it really possible to teach style?
Until now, there really has not been a comprehensive system of teaching vocal style.  There have been scales played to reflect certain genres, such as the Blues Scale, but that's really not enough.  Brett Manning worked with hundreds of brilliant vocal stylists to co-develop training techniques based on their various skills.  Using these techniques you can develop style skills so prolific that you'll be able to reinterpret any song you wish into a unique masterpiece.  Think of it this way: As a singer, you are the artist and the final "painting" is up to you.  Brett Manning's style training just gives you more colors to work with.

Q:  Are falsetto and head voice the same thing?
A:  No.  Falsetto is the lightest vocal production made by the human voice.  It is limited in strength, dynamics and tonal variation.  Usually, there is a considerable 'jump,' 'break' or 'disconnect' between your chest (speaking) voice and your falsetto.  Noted vocal coach and voice therapist Randy Buescher of Chicago defines falsetto as:

"a coordination where the outer layer of the vocal cord (mucosa, i.e. internal skin or muscular covering) is vibrating, creating sound, but without engaging the actual musculature of the cord.  Also, there exists no medial compression.  In other words, during the vibratory cycle, the cords never fully approximate.  In head voice, the cords approximate, but the vibration of the cord moves away from the full depth of the vocal cord (chest voice) to a pattern that involves less and less depth of vocal cord as you ascend toward the top of your range.  The highest notes of your range involve only the vocal ligament.  However, there is no consensus among experts on the official definition of vocal registers."